the artist edge
EARTHSHIP JOURNAL

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dancers, taos pueblo powow

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INTRODUCTION
earthships are dwellings built to interface naturally with the primary elements of the universe.  completely off the grid, they are the ultimate sustainable dwelling, made from largely local materials, disgarded tires, pop bottles, tin cans, and other recycled material.  stunningly beautiful and alive dwellings. in which you can grow your own food adjacent to your living room when it is 20 degrees below zero outside, or, relax in your bathtub at 65 degrees when its 110 outdoors.

earthship  usually consist of several rooms layed out in a line, all of which have one, or, two closed walls of adobe plastered, earth-rammed tires backed against an earth berm. a third wall usually is made of adobe, cement and tin cans.  all the rooms open into a long corridor called a thermal tunnel.  this is also the green house.  the glass is floor to ceiling and allows sunlight into the earthship deeply in the winter where it warms the rammed earth walls and heats the house; then in the summer the angle of the sun does not penetrate allowing the cool earth walls to exude their cool into the rooms.  the REACH earthship where i'm staying is two stories and built into the side of a very steep mountain, with lots of architectural variation, lofts, fireplaces, decks, a roof fed cistern, and counterwaited sky lights, among other features.

these dwellings are  a means of existing in conjunction with the elements of the universe;  fire, water, air, and earth enter the inhabitants life directly:  the rotations of the earth, the angle of the sun in any particular season,  the rains storms, and snow, the wind,  the moon, plants, animals all come together in a wholistic experience of connection/  all systems are tuned into the biosphere. nothing is wasted. everything is recycled.  the dwelling is entirely green.  the same water is used 4 times. all electricity is solar or wind powered.

(spelling corrections will be forthcoming)

they have been developed by the visionary architect, Michael Reynolds in the high desert expanse of the taos valley, new mexico, a dauntingly elemental environment, full of spectacular beauty, extreme weather, rugged terrain, and native, mexican, and anglo american history.

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CAN WALL

BOTTLE WALL
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HOUSES MADE OUT OF TRASH
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7.09.09 A DAY IN THE LIFE
 i get up at 6 am, get out of my bed which is in a loft up a narrow staircase tucked under a counterwaited skylight through which one can see the stars. i stumble to the kitchen and grab 2 oranges and heat some water. the shadows of the high peaks cast jaggedly over the valley below. this confirms that it is early and i have time. i eat the oranges and read in a book called earthship 3 about thermal mass refrigerators. i heat some water and make my chinese tea. i do yoga on two blankets near the planter under large slanted floor to sealing glass panels which reveal the natural world of sky, mountains, clouds and pine trees. i am surrounded indoors by thriving, flowering, fragrant smelling plants. water drips into a large exposed cistern next to a large bathtub made out of plastered over tin cans. the dripping pipe coming from the ceiling where it transitions from the roof catchment that collects rain water. 

i take a shower and the water is pumped by solar electircity gathered from panels on the roof, as it drains from the tub, i can hear it trickle into the planters that sustain the flowering plants. i walk outside and take 10 deep breaths of 9000 feet mountain air. it is beautiful and cool. i go back in and make a smoothy out of 8 bananas, lemon, and cilantro and pick up a book called zolar's guide to astrology. i look up a dream that had me filled with anxiety as i woke up. eventually i get ready to leave, after reading, yoga, shower, and breakfast. i walk along the front side of the earhtship that is sitting on precipitous part of a steep mountain. i begin my descent along a very steep dirt road through pine trees toward my car parked below. i drive down the road, hitting pavement in about a mile. their are a few houses and properties along the road; there are profuse flowers in some areas. i turn onto the ski valley road and take it over a ridge, through arroyo seco, a tiny little tourist town with pottery, jewelry, clothing, and food stores and out through the rural country side toward the road to the rio grand gorge. 

link to transitional philosophy for 2012

REACH EARTHSHIP
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the author

the western landscape is intense, rugged, open, and very expansive once near the rio grande. but, if one looks closer, there are a myriad of colors in the low brush and grasses that change in the wind patterns and give one a lighter sense of the area when sweating the heat of the midday sun. i pass by taos dance academy where there is a famous flamenco dancer who give classes. it is a very modern studio in the middle of nowhere. the road continues toward the gorge, as it is called, there are flotsam enterprises along the way, a wood mill for creating vigas, the large ceiling timbers cut from standing dead trees, there is a storage place, a small airport, a store, and then the bride over the gorge. i continue on into the increasingly expansive country west of the gorge. i can see for 50 miles in any direction.  i find the dirt road that leads to the building site where E., who is from the east, an excellent builder, and has the look, dreadlocks down to the waste, and an old dark leather cowboy hat, is already unloading his truck. it is already warm at 9am, in the high 70's. i pull off the road and park. the day begins. 

we ride over to a group of houses in the gravel pit, a reclaimed area that has several nice and small earhtships. after a look inside at the beautiful interior full of plants and creative wall decorations, we begin working on the roof scraping down the peeling sealer paint, so that it can be foamed over to prevent leaks. no-se-em's begin to appear, nasty little flies that leave a horrendous mark which cannot be scratched. i take some lemon and spread it over my exposed skin which deters them from landing on me. we are done with the roof in a couple of hours. we return to the original site. the couple from the bay area are not in today. the woman had to fly out for an occaision, so A., the husband took her to the airport. J, B., who is from buffallo, a young guy with extensive tattoes, and myself begin working on the flashing beneath the slanted window of a made to order two bedroom earthship. as the afternoon wears on the temperature hits 94 degrees.

 i haven't been drinking a gallon of water as recommended, because my diet consists mostly of fruit which is about 85 to 90 percent water. the workers here are conventional in terms of diet; no vegetarians out this way.  the crew is very compitent and very concious of the the mission of the earthship which is sustainability.  the heat and sun are intense. every bit of out skin is covered to prevent burning. we shape the metal and secure it in place. this takes all afternoon. 

E. who has been living in the community for 8 years, and works through the entire year be it 110 or 20 below.  he gives us extensive details on everything we are doing as well as on the community, and earthships in general. he tells us about the crew's experience building an earthship in jamaica for a local neighborhood "don". the crew spent most of their weekends fixing up the houses of the manual laborers who had not the knowledge or the materials to do it themselves. one man had waited many years for a roof to be put on an addition so that his blind brother could come and live with him. by mid afternoon, the heat is causing me eshaustion, and i sense that what i'm eating is not cutting it energy wise, my smoothies in the morning and several pieces of fruit, dates and an avocado for lunch are not enough calories. then i remember that a smoothy with certain herbs in the morning might greatly increase my tolerance for working in the heat, so i make a mental note to have one as soon as i get back and then repeat it tomorrow morning. (i do this and the next day i work energetically all day long. this beside experience builders all of whom i am at least 20 years older than.) after work, i drive back toward the gorge and eventually stop at the dance studio to inquire about the flamenco class, but, i am too hot, ehausted and dirty to pursue waiting an hour for it to start, so i put it off, until i feel i have a wired routine that makes my work day easier. 

i drive back to REACH, tired out and slightly missing nice cool, cozy new england, i clean out and organize my car down in the pine covered parking area, and drag myself up to the earthship on the mountain where i  acknowledge the spectacular beauty of the view and the spot. i call my roomate in new england before collasping in bed.  the next morning, we tour E's homestead that is finally expanded after he and his partner have lived in a tiny lofted and round adobe studio without running water or bathroom for 6 years. in the last year they have been able to build a larger earthship like work studio/ living space for doing pottery, jewelry and other crafts, as well as for living, and are expanding on other parts of the property. their homestead is pleasantly green, with a green house and a garden, and some rolling gulliied landscape that makes it seem cozy and protected from the vastness of the unrelenting western landscape. 

I go to work for T, another taurus, and the head contractor on the crew. after the 2 quarts of celery smoothies, i've got a lot of energy and can work well in the heat all day with a good attitude. so, i am encouraged by this, as it is a sign that my natural vegan, high fruit, low fat diet, assisted by some selective smoothie additions, will get me through the three weeks i have left to learn the earthship architecture.

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VIEW FROM REACH KITCHEN

7.11.09 ON A MOUNTAIN OVERLOOKING TAOS VALLEY
i have just left an indian powow at the taos pueblo, where i wondered amongst the crowd taking photographs and curiously eyeing what constitutes the native culture of taos.  outwardly its about plastic costumes, taco vendors, campers, adolescent flirtations, and all the other signs of typical american society. but, in the native american music one can here the unchanged link to the ancient wisdom that transcends all the dross of a saturday afternoon festival.

upon returning, i parked down below where the road begins a very steep climb to the reach community, i walked up in the pitch black of the forest with the stars whirling overhead. 

THE SANGRE DE CHRISTO MOUNTAINS WHERE I AM STAYING
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EARTHSHIP DOME, TAOS VALLEY WHERE I'M WORKING

7.11.09 REACH COMMUNITY EARTHSHIP, TOAS, NEW MEXICO. it is saturday. i am looking out from a big sprawling earthship in the REACH community at 9,000 feet in the Sangre de Christo mountains above Taos. i left new england on the 4th of july, last saturday. it had been raining off and on for 2 months. that great, new england poetical overcast, and gloomy sky rain, that makes you want to fly immediately to ireland and stroll down some country lane in a long wool coat. 

but, this is new mexico, in the summertime, out on the plain, the rio grande gorge splits the earth crust in a jagged serpentine line revealing the clay brown precipices of its history as it plunges down to the sweeping, muddy, mythical river called the rio grande.  the heat is brutal, and unrelenting on days when it reaches over 90. this is the land the hopi wandered through in their final migration to the mesas in arizona.  this is the land of the taos pueblo, one of oldest continuously inhabited sites on the planet.

my jet age immigration from the flowered and wet spring climes of north easton massachusetts to the barren summer intensity of northern new mexico still gnaws at my psyche.  i drive up from albuquerque, through santa fe and stop at ojito farm to look at a casita for rent.  drive back on a 4.2 mile dirt road and meet the owner, who is a devotee of fukuoda's do nothing farming.  we walk his vinyard, look at an exquisite, secluded adobe casita, that would make a great art/music live in studio tucked into a spate of trees next to a river.  then drive up, following the rio grand, to meet K. and S. at a baskin and robbins ice cream store in taos.  my father owned a baskin and robbins ice cream store. he always wanted to build a house from the ground up. i took this as a wink from the universe. a vision of his smiling face comes to me in a dream that night.  K. and S. take me up to REACH, 9000 feet in the mountains above taos, to get settled into the original home of Michael Reynolds, the visionary designer/architect who created the earthship. 

it is a sprawling two story structure built into the steepest part of a jag of the taos mountains, at the end of a steep dirt road that winds up from arroyo seco.  there are several houses here stacked close together, the big difference is that they are built into the mountain, with three side of earth and the south side of slanted glass that gives a view from any room across the expanse of the taos valley and its mountains.  it appears as though none of the trees were cut down to build the house.  the ponderosa pines appear to be growing out of the roof, but, they simply built around them.

UNFINISHED ENTRY WAY TIRE AND BOTTLE WALL
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7.13.09 ANOTHER DAY IN THE LIFE
once again the shadows of the jagged taos mountain peaks spead out across the valley letting me know i am up early.  it is 6am.  i had a long, elaborate dream last night whose meaning yet escapes me.  i check a website for astrological commentary on my week.  i grab an orange and use the dry toilet, whick is part of the containment idea.   everything in an earthsip is contained, used, recycled, transformed.  while sleeping the 3 foot thick tire walls  packed with adobe and tin cans keep the ship cool, even though is was in the 90's up here all day.

i sit on my bed and connect breathing for 15 minutes without moving.  when done i sit motionless, in complete stillness, silence and peace.  then i ask questions about what i am doing, but, i do not attempt to answer, as, i know that the presence which i have connected with in the silence and stillness will begin to show me signs pointing me toward answers.

i make and drink a quart of celery, apple, lemon, and cilantro smoothie. then i do yoga on my two blankets near the cistern that catches rain water directly from the sky and supplies all the water needs of humans, and plants for many months.  the cistern is topped off, as it violently hailed and rained here on saturday.  i eventually leave the mountain top enlivened by my breakfast smoothie.  i pop some tea in a bottle of hot water.  it takes me 8 minutes down a very steep dirt road to get to my car.  i drive out toward arroyo seco, stop at the gas/market at the big intersection and fill a quart container with ice, as, i have forgotten to bring water for the day.

i pull into the earthship visitor center and ask where we are working today.  for the first time i see michael reynolds talking with one of his crew.  he has just returned from montana, where they were building a ship.  he has long grey hair, leonine like.  he is a leo.  appropriately, because this is the land of sun.  i will meet him in the next couple of days probably.

i go out the highway to tres piedras and take a back road into the new world earthship community to the work site.  we start in with adobe plaster on the inside of the U shaped modules.  fortunatelly because it hits 91 degrees by 2pm.  we are only in the sun when mixing adobe and wheel barrowing it into the dwelling.  it is cool mud and a pleasure to shape onto the tire walls.  once gets the rythmn and applies the mud like a sculptor, shaping the walls organically.

the two young ladies from oklahoma who have been working elsewehere show up to work with us.  tomorrow the whole crew will be on this site. 
a very long haired man in his 40's comes by and gives them a flier.
he is a musician and is appearing somewhere in taos

during lunch E. and H., a long time couple living in the community tell us about an eccentric millionaire who had an enormous ES built that was supposed to become a yoga retreat.   he was the heir of an amusement park fortune and  his extravagant and foolishness quickly put him in bankrupcy.  now the place is forclosed on, but, they we're happy he had been there because, his money kept the company afloat, and the workers employed during a lean spell.  the ship is empty and jsut down the road.  so soon i will go in and take some pictures of it.

between the heat, the long drive, the whole hearted uniqueness of this whole episode in my life,  i find it hard to concentrate;  fumbling around and distracted.  solution:  being where you are, one of the most difficult things to do in our hyper stimulated, inauthentic, and failing culture.

the clouds start showing up and by 4:30,  they are much welcomed.  and the previously simmering plains become the heirs to crystal clear air,  the tall line of spectacular mountains, and large billowing clouds, with a balmy breeze rushing across them.  i take off my shirt and stand in the breeze, not wanting to go inside with the rest of the crew to drink beer. i linger in the transforming landscape drive back toward the gorge, stop at the dance studio to watch a flamenco class, and then drive up the mountain.

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RAIN CATCHMENT CISTERN NEXT TO BATH
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4 - 6 MONTHS SUPPLY OF PURE RAIN WATER

7.14.09 REACH EARTHSHIP

what a day, dirt and mud, the purifiers, the heat bearing down, leveling floors of packed clay; putting mud on the walls, humility enforced, the unrelenting plains.  took pictures in phoenix, the most elaborate earthship in the community (pics coming) a dwelling as tribute to the the sun god.  working at a differenct ES; with different crew. stunning beauty and balmy afternoons with expansive sky and clouds.  like going to church to be absoved, and, doing penance in the purgatory of heat and sweat.  go by and watch the flamenco class.  i have to say it:  you've got to have spanish blood somewhere to pull flamenco off;  its like a genetic stylization.  the blood has to be there. but if i take the class, it will be just conditioning.

7.15.09 SUTTON PLACE, NEW WORLD ES COMMNITY. we listen to reggae all day, blasting from a car stereo. its ok. it fits, most of the crew have dred locks to their waste. we work hard in the sun. its challenging to. i level a floor for flagstone in the greenhouse, which is the entire front of the structure. i drill metal for mounting the siding on the top of the large slanted windows that allow sun to warm the thermal mass walls in the winter, and to give plants in the atrium direct sunlight. i set forms for pouring the concrete floors in one of the bedrooms. all the room are side by side in a straignt line opening out to the green house. 

at lunch we talk about who's going to montana and when. and what happened to the two female interns from oklahoma, and molly, which is S.'s dog who was trying to get into where we were eating.  he is a very shaggy old dog, who can barely walk, breathes heavy in the heat, sleep alls day in the shade.  very sweet, very mellow, very old.

do i feel connectded to the universe doing this. scoriated by the intense heat and sun, working in with clay and the mud, or, with pick and shovel, or drill, or saw. i feel connected to those i work with.  "we" that is where we all have to go.   the natural elements are what you protect yourself from; insect bites, heat, sunburn, wind chafing. but, we are building these things. living in them is another story. look at the pictures. i drive straight back to the canyon, instead of hanging out for the after work beer session, which i have yet to do.  i bike ride a half hour up into taos ski valley to get some cardio exercise. it much cooler up there, all pine trees, and a rushing stream by the road side. it mellows me out after a day of struggle with the elements of the plains. i feel very tired, but, strangely very good.  this is the hardest physical labor i've ever done, and, the second week is difficult to get through. tomorrows another day, right. lots of sore muscles, and hopefully lots of clouds tomorrow.  when they do it lowers the temp about 10 degrees.  when i get up and see the blue cloudless sky across the valley, my heart sinks.

breakfast was a quart of smoothie with 8 big sticks of celery, 2 nectarines, 3 banans and some cilantro.  a cup of tea drank on the way to ES community.  

lunch was 4 oranges 4 coconut date rolls, one avocado.  snack was 4 plums. and several more plums before riding up into the canyon.

dinner was a big bed of butter lettice, a layer of red cabbage, a layer of sliced cucumber, a layer of jalapeno peppers, a layer of sliced carrots, a layer of fresh, uncooked yellow corn topped with a dressing made of several tomatoes, a bunch of rosemeary picked beside the sink, and 4 sticks of celery blended to a liquid.

all organic and fresh.  second day of no cooked food.  we'll see how the energy is tomorrow.


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7.17.09 REACH
I've made it to saturday.  sleeping until noon, i got up in real daze.  i'm physically taxed to the limit. but now, at 6pm after resting all day, i'm feeling like a human being again.

m. reynolds coming out to the sight everyday to gauge progress.  he is about to leave for australia.  lots of lectures and such to architecture students and organization.  company is only working on 7 earthships at present.

the dry, searing new mexican landscape takes its toll on one's spirits.  however, when i reach the earthship in the mountain community, after the arduous, steep climb, ususally with a pack full of stuff, the serenity, quiet, and peace buries all the struggle at the job sight.

this weekend i'm all about rest, and, watching the endless sky from the top of this mountain.  not a whole lot of poetry coming out of this gig at the moment (i'm sure its there unconciously).  but, i know that i'll learn something earthshattering here when its over.  

i've been talking to an east coast friend who is selling her house and wants to build an earthship in south america, so, that encourages me.

TOOLS AT REST
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IN THE UNPLASTERED THERMAL TUNNEL

7.221.09 REACH EARTHSHIP 
Michael Reynolds designed the earthship so that it could be built by anybody.  you need a cement mixer, a backhoe, about 600 to 1000 used tires from a tire dump, lots of dirt, some cement, disgarded bottles and tin cans, some lumber, glass, roofing and flashing materials.  the systems you get from the company: the pumps, compost toilets, or grey water toilets, and solar panels etc.  The earthship we are working on will go for about 175,000, a one bedroom, one bath. that is build by the earthship crew.  a lot less if you do it yourself.

Yesterday, after a moderately hard work day of poring cement floors and attaching flashing to the roof of the earthship we are building, i stayed for the beer session and socialized after work. Michael Reynolds showed up to take a look at what had been done, before going off to Australia to give lectures and so forth. the long grey haired leo holding court. he is currently streamlining the different building techniques for speed and economy. the girls from oklahoma city showed up and began working again after being sick all last week. 

this week is cooler. today a very large storm has been brewing in huge thunderheads across the plain, and, it cooled to 65 degrees or so before we quit. then the lightening started and a huge hail storm commenced.

last night i played guitar and sang at the Taos Inn, a very nice little restaurant bar with all the Taos adobe ambience and a lively tourist crowd. the stage is very close to the audience, very intimate. the front table was occupied by a group who had to be from texas as they all wore cowboy hats, so after warming up i sang some of my county songs written in nashville. the crowd love it, especially since my voice is aquiring the higly polished, compelling and professional quality for which i have been striving for some time to get.  i've come a long ways from singing in the shower when i was 3 years old and working out with the St Emydius boys choir when i was seven.  it was great being appreciated and that people found my performance entertaining and worth listening to. after i started, several people came in from the restaurant to hear. all and all i felt very satisfied with the evening.

today, cantelope and apples for breakfast, calli tea:  lunch more apples, 4 i think, several celery sticks, and 4 nectarines;  yoga during lunch on the work sight, loosened me up quit a bit and made feel energetic and ready to work throught the afternoon, installling weather proofing under the back eave over the earth berm which will finished tomorrow with a backhoe.  we worked mostly on our backs, in the dirt, in the narrow opening between the top of the back earth berm and the roof trusses, tacking in the plywood and then the weather proofing. Dinner;  cooked millet, with a tomatoe jalapeno sauce and assorted greens and vegies mixed in.

Arty and kate,  from the bay area, are camping out on the earthship property;  Daryl and Samantha, from oklahoma and just out of college, are renting a small house in arroyo seco;  Ian, who just flew in from australia and who is a farmer, is staying at the hostel.  Everyone else on the crew are regulars who have built their own earthships;  they commute   about a half mile of dirt road everyday unless they are traveling somewhere to build an ES.

I'm at the reach earthsip watching the lightining flash and crack over the valley, and listening to the roof drain into the cistern via a waterfall.  the cistern is now at the top and overflowing via pipe to the grey water garden outside  and watering all the landscaping. so right now its seems like i'm in hawaii, surrounded by tropical plants with a waterfall, and outside it is lightning, hail, and rain at 9000 feet in a pine forest, .  before the storm, the cistern was 3 feet from the top.  it is about 10 feet deep.  

it is a comfortable 67 degrees or so inside.  there are no utilities of any kind within 5 miles of this location.  i have plenty of light, plenty of water, plenty of electricity and warmth, on a remote mountain top in norther new mexico.  not bad!  these items are being supplied by the universe and some human ingenuity, and, i don't think the supply of either of these is going to run out soon.

so that's it for today.  i am now going to soak my aching muscles in a solar heated bath of fresh rain water and watch the lightning. chow.

GREATER WORLD EARTHSHIP COMMUNITY
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FENCE ATTACHED TO AN EARTHSHIP

7.29.09 IN THE MOUNTAINS ABOVE TAOS 
To the left are the feet of the taos mountains covered in ponderosa pine trees. at their base are dwellings of all sorts with fields that i can clearly see, marked out with tree lines. farther away are the tribal lands of taos pueblo where there are a lot of trees on the flatlands and a great deal of cattle grazing. a large line of mountains curve around in front of me across the expanse of the valley. they continue diminishing on the horizon toward the southeast. the huge gorge cut by the rio grande river is discernaible out on the mesa as a dark line. as it turns toward the south where it confronts the chain of mountains, one can see the dark line widen and one can make out the wide gorge that continues on alongside the road south of town that goes to Santa Fe. A hundred miles or so in the distance, maybe farther is another chain of mountains that are very high, out to the south west. dos piedras and thres piedras, those unique hills south of the earthship community are prominent on the mesa. thunder clouds all around.  

the rain water catchment cistern is full to the brim.  every time it rains, it tops off and the excess spills into the indoor garden and then into the outdoor garden.  when it rains here it dumps a lot of water in a short tim, usually preceded by a few slaps of thunder.  the clouds course the huge sky over the valley, you can see the sheets of water in tremendous grey spills, covering the town of taos and the surrounding mesas long before it gets here.  like some kind of  celestial sprinkler system, but, of course far more dramatic and beautiful.  ya think?  well thats the water i'll be showering in tomorrow morning.

it has been a week since i journalized. what has happened; the end of week three. the intense heat was somewhat mitigated by thunderclouds every afternoon, which, when they reached over our heads on the mesa and clouded the work site, dropped the temperature 10 degrees or so. we were engaged in insulating the entire earthship, inside and out. the latest design encludes a perimeter of insulated earth perhaps 6 feet around the earthship, which provides further buffer from the frost line of winter, making the 3 foot thick tire walls, and the 6 feet of earth, a thermal barrier and thermal mass of 9 feet. when it hits 20 below on the mesa in winter, there should be no need for even the fireplace to be lit, as the sun shining in at its low point will hit the back walls and floor of the earthship, heating up both, as well as the earth berm behind, which will retain that temperature releasing it into the room once the sun has gone down. a direct interfadce with our celestial provider. 

we have built some walls inside out of tin cans and concrete that are 6-9 inches thick. these are interior walls that don't have to hold thermal mass, or loads. we've poured concrete floors, built sky vents, mounted flashing, put in doors and adobe plastered the outside walls.  the raw and intense beauty of this sun drenched land offers some respite to us sometimes weary workers, while we are struggling with the heat, wind, rain, and energy demands of working out on the mesa.

several people have shown up from different places; australia, a man who is planning an eco village; a 20 something guy, who biked from charlotte, north carolina. it took him two months. he is doing a documentary about roadkill. another 20 something guy who is from new jersey, and, several other people. 

actually mastering some of the building techniques is rewarding, and, seeing the finished product, truly, just about anyone with the will can build one of these dwellings. 

weekend spent in town, listening to mariachi music at the annual taos fiesta in the small town plaza, which contains the La Fonda Hotel, where DH lawrence's exhibit of paintings is kept in a room that one can visit. the paintings were banned by scotland yard from being shown in england because of nudity in the late 20's i think. interesting exhibit to say the least. 

today, i stayed home, dead tired and a pulled muscle. the work is winding down a bit because most of the regular crew left for montana to build another earthship up there.

this is a very rugged and extreme land.  the quaint town of taos offers some relief to the vastness, the weather, and the intense energy that goes along with such massive mountains, extensive mesas, and the incisive rio grand gorge.  it is a land of many different types of people coexisting:  indians, the mexican americans, the reclusives who live on next to nothing, the alternatives, or, hippies throwbacks, the tourists, the well to do seasonals, the youthful seekers and passers through, the rastafarians, and so on.  it would take some time to really get a grip on the substance of the place.  this is the wild west, self made america, the frontier, with its saving grace, the elegance of the southwest adobe culture and the prevalence of the artististic temperment.


CHECK BACK FOR MORE ENTRIES AND MORE PICTURES OF THE EARTHSHIP AND TAOS CULTURE

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AS SEEN EARLY MORNING IN SAVASANA

***background music: "SAINTS N SINNERS" written in Santa Fe in 2007 and inspired by the lives and work of Nempeo, the foremost HOPI potter, and Georgia Okeefe. See lyrics on music page.

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THE RIO GRAND
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JUST DOWN THE STREET FROM THE TAOS MESA EARTHSHIPS

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